Les Chansons de Bilitis is one of the most successful literary frauds of all time, and most of Pierre Louÿs’ early readers honestly believed that they were reading genuine translations of rediscovered ancient poetry found on the walls of a tomb in Cyprus, written by a woman called Bilitis who was a courtesan and contemporary of Sappho. In the 143 poems Bilitis shares her most intimate thoughts, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years. To lend authenticity to the forgery, Louÿs listed some poems as ‘untranslated’; he even craftily fabricated an entire section of his book called ‘The Life of Bilitis’, crediting a fictional German archaeologist as the discoverer of Bilitis’ tomb. Though Louÿs displayed great knowledge of ancient Greek culture, ranging from children’s games to the application of scents, the literary fraud was eventually exposed. This did little to taint its literary value, and Louÿs’ open and sympathetic celebration of lesbian sexuality earned him both popularity and historic significance.

Although for the most part Les chansons de Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of the Parnassian school, but underneath run subtle French undertones that Louÿs could never escape.

Not only is Bilitis an extremely successful fraud; it is also one of the most frequently illustrated of all erotic texts, with more than forty identified artists trying their hand, of which we already have fourteen on the website, including this wonderfully free and stylish portfolio by Jean Berque, commissioned by the Paris publisher Lallemand for a large-format de luxe edition.

The Berque-illustrated Chansons was published by Lallemand in a limited, numbered and boxed edition of 225 copies.