Cyril Georget’s art is unashamedly homoerotic, centring almost exclusively on the male body and on male intimacy. His paintings and drawings explore desire between men not as a transgressive spectacle, but as a lived, quietly observed reality. The male body is neither idealised in a heroic sense nor caricatured; instead, it is presented as vulnerable, sensual, and emotionally present.

Georget’s canvases range from single men, through couples, to complex compositions placing his naked subjects in a wide variety of realistic and fantasy settings, including references to many classical traditions, Greek, Roman, Indian and Central American. Unapologetically male-focused, erotic without always needing to be explicitly sexual, and attentive to tenderness as much as desire, his work contributes to a visual language in which gay intimacy is normalised, dignified, and allowed the same complexity historically granted to heterosexual erotic art.